"So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives"
"I think in terms of family, in terms of relationships, in terms of work, competition to be the favorite, to be the noticed, to be the one - I don't know if it exists for all personalities, but I know for sure it did with me"
"Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear"
"Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside"
"But it's much more exciting to make Die Hard. One of the reasons that I think that movie is so successful is it deals with those very important blue-collar relationship themes. But it's more visually beautiful to show things blowing up. It just gives you more on the screen"